Andrea Pistolesi Photographer · Author · Documentary filmmaker

Filmmaking

Filmmaking

Photography is the foundation. Film extends the same way of seeing through time: every moving image is composed to stand as a photograph first, and the edit is built to reveal those images rather than spend them as illustration.

Geography comes before interpretation, observation before explanation. The narration says only what the images cannot. There is no music in any of the films — the sound is the place.

Current work

Asian Waters

Water as an organizing force in Southeast Asia. Three independent films, each on one water system and the life arranged around it — amphibious places, where land and water are not two things but one system in two states.

With Massimo Sarti.

In preparation

The Mekong

Two chapters, filming this coming winter, made as separate essays rather than one journey downstream: the reach above the Cambodian border where the river spreads across thousands of islands and falls, and the delta at the other end — the ground the river built, and the sediment that reaches it or no longer does.

Neither has a title yet. A title names a behaviour, and the behaviour has to be seen first.

Also, and separate from the chapters: Karst Lakes of Ha Long, an environmental research project.

asianwaters.org

Commissioned production

Global Conservation

Nine films made between 2018 and 2024 for Global Conservation, which works to protect endangered national parks and World Heritage sites. The subjects are the rangers and the patrols — what protection consists of on the ground, in Southeast Asia, the Caucasus and the Balkans.

All films on Vimeo